https://alternativanikkei.com/2026/wp-content/uploads/2026/02/dragnet2.png765970Victoria Nakazatohttps://alternativanikkei.com/2026/wp-content/uploads/2026/02/isologoweb_png_2.pngVictoria Nakazato2026-02-05 09:30:442026-02-05 09:30:44El gesto sutil y queer en la película Dragnet Girl (1933) de Yasujirō Ozu
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https://alternativanikkei.com/2026/wp-content/uploads/2025/12/c986_cap.jpg10801920Victoria Nakazatohttps://alternativanikkei.com/2026/wp-content/uploads/2026/02/isologoweb_png_2.pngVictoria Nakazato2025-12-15 21:56:222026-03-13 19:34:20100 metros (ひゃくえむ。) late como la vida misma.
https://alternativanikkei.com/2026/wp-content/uploads/2025/11/b7722600-61e3-4a73-aee2-6b16a90c9c3b.jpg6761250Victoria Nakazatohttps://alternativanikkei.com/2026/wp-content/uploads/2026/02/isologoweb_png_2.pngVictoria Nakazato2025-11-05 13:53:042025-11-05 13:53:04Happyend y el mito de lo homogéneo: cómo Neo Sora reivindicó la diversidad de Japón
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https://alternativanikkei.com/2026/wp-content/uploads/2025/10/A-scene-at-the-sea.jpg6701271Victoria Nakazatohttps://alternativanikkei.com/2026/wp-content/uploads/2026/02/isologoweb_png_2.pngVictoria Nakazato2025-10-03 00:50:592025-10-03 00:54:59Poesía y naturaleza en «A Scene at the Sea»: una conexión entre waka, silencio y mar
https://alternativanikkei.com/2026/wp-content/uploads/2025/08/1-2.jpg7291349Victoria Nakazatohttps://alternativanikkei.com/2026/wp-content/uploads/2026/02/isologoweb_png_2.pngVictoria Nakazato2025-08-10 23:37:032026-03-13 19:34:20La identidad y lo invisible: Desde El Viaje de Chihiro hasta el cine de Mikio Naruse.
https://alternativanikkei.com/2026/wp-content/uploads/2025/07/99jmiFmcA76AqQ1VhKlj8wIE6v7ofR7Z9Mhny3tl1.jpg9001469Victoria Nakazatohttps://alternativanikkei.com/2026/wp-content/uploads/2026/02/isologoweb_png_2.pngVictoria Nakazato2025-07-18 13:30:232025-07-18 13:38:27La influencia del Kabuki en el cine de Yasujirō Ozu: un diálogo entre tradición y modernidad
https://alternativanikkei.com/2026/wp-content/uploads/2025/06/Imagen-de-WhatsApp-2025-06-12-a-las-21.55.03_be8567f5.jpg470636Victoria Nakazatohttps://alternativanikkei.com/2026/wp-content/uploads/2026/02/isologoweb_png_2.pngVictoria Nakazato2025-06-13 14:22:202025-07-18 13:29:32Himiko y el desasosiego identitario: cómo Masahiro Shinoda cuestionó el relato de Japón
https://alternativanikkei.com/2026/wp-content/uploads/2025/05/Imagen-de-WhatsApp-2025-05-07-a-las-12.04.53_b9f3380c.jpg12001600Victoria Nakazatohttps://alternativanikkei.com/2026/wp-content/uploads/2026/02/isologoweb_png_2.pngVictoria Nakazato2025-05-07 22:07:142025-05-08 20:56:37Entrevista a Hiroshi Ishikawa, el director que le dio voz a la sutileza
