{"id":11994,"date":"2026-02-22T15:19:17","date_gmt":"2026-02-22T18:19:17","guid":{"rendered":"https:\/\/alternativanikkei.com\/2026\/?page_id=11994"},"modified":"2026-03-30T23:11:12","modified_gmt":"2026-03-31T02:11:12","slug":"cine-series","status":"publish","type":"page","link":"https:\/\/alternativanikkei.com\/2026\/cine-series\/","title":{"rendered":"Cine y Series"},"content":{"rendered":"<div id='full_slider_1'  class='avia-fullwidth-slider main_color avia-shadow   avia-builder-el-0  el_before_avia_sc_search  avia-builder-el-first   container_wrap fullsize'  >\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mlwz90f5-6ed5b2aa44351e96d0a6e49399f2a49d\">\n#top #wrap_all .avia-slideshow .av-slideshow-caption.av-mlwz90f5-6ed5b2aa44351e96d0a6e49399f2a49d__0 .avia-caption-title{\nfont-size:55px;\n}\n#top .avia-slideshow .av-slideshow-caption.av-mlwz90f5-6ed5b2aa44351e96d0a6e49399f2a49d__0 .avia-caption-content{\nfont-size:25px;\n}\n#top .avia-slideshow .av-slideshow-caption.av-mlwz90f5-6ed5b2aa44351e96d0a6e49399f2a49d__0 .avia-caption-content p{\nfont-size:25px;\n}\n\n@media only screen and (max-width: 479px){ \n#top #wrap_all .avia-slideshow .av-slideshow-caption.av-mlwz90f5-6ed5b2aa44351e96d0a6e49399f2a49d__0 .avia-caption-title{\nfont-size:30px;\n}\n#top .avia-slideshow .av-slideshow-caption.av-mlwz90f5-6ed5b2aa44351e96d0a6e49399f2a49d__0 .avia-caption-content{\nfont-size:22px;\n}\n#top .avia-slideshow .av-slideshow-caption.av-mlwz90f5-6ed5b2aa44351e96d0a6e49399f2a49d__0 .avia-caption-content p{\nfont-size:22px;\n}\n}\n<\/style>\n<div  class='avia-slideshow av-mlwz90f5-6ed5b2aa44351e96d0a6e49399f2a49d avia-slideshow-featured av_slideshow_full avia-fade-slider av-slideshow-ui av-control-default av-slideshow-autoplay av-loop-endless av-loop-manual-endless av-default-height-applied   avia-slideshow-1' data-slideshow-options=\"{&quot;animation&quot;:&quot;fade&quot;,&quot;autoplay&quot;:true,&quot;loop_autoplay&quot;:&quot;endless&quot;,&quot;interval&quot;:5,&quot;loop_manual&quot;:&quot;manual-endless&quot;,&quot;autoplay_stopper&quot;:false,&quot;noNavigation&quot;:false,&quot;bg_slider&quot;:false,&quot;keep_padding&quot;:false,&quot;hoverpause&quot;:false,&quot;show_slide_delay&quot;:0}\"  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><ul class='avia-slideshow-inner ' style='padding-bottom: 28.666666666667%;'><li  class='avia-slideshow-slide av-mlwz90f5-6ed5b2aa44351e96d0a6e49399f2a49d__0  av-single-slide slide-1 slide-odd'><div data-rel='slideshow-1' class='avia-slide-wrap '   ><img decoding=\"async\" fetchpriority=\"high\" class=\"wp-image-12015 avia-img-lazy-loading-not-12015\"  src=\"https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2026\/02\/SevenSamurai-1500x430.jpg\" width=\"1500\" height=\"430\" title='SevenSamurai' alt=''  itemprop=\"thumbnailUrl\"  style='min-height:200px; min-width:698px; ' \/><div class='av-section-color-overlay' style='opacity: 0.5; background-color: #000000; '><\/div><\/div><\/li><\/ul><div class='av-slideshow-caption av-mlwz90f5-6ed5b2aa44351e96d0a6e49399f2a49d__0 caption_fullwidth caption_center'><div class=\"container caption_container\"><div class=\"slideshow_caption\"><div class=\"slideshow_inner_caption\"><div class=\"slideshow_align_caption\"><h2 class='avia-caption-title '  itemprop=\"name\" >Cine y Series<\/h2><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div id='after_full_slider_1'  class='main_color av_default_container_wrap container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-11994'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1smfjfo-fac45ebb67a59078aa0e1df6b9251ed6\">\n#top .avia_search_element.av-1smfjfo-fac45ebb67a59078aa0e1df6b9251ed6 .av_searchform_wrapper{\nborder-radius:20px 20px 20px 20px;\n}\n#top .avia_search_element.av-1smfjfo-fac45ebb67a59078aa0e1df6b9251ed6 #s.av-input-field{\nborder-radius:20px 20px 20px 20px;\n}\n#top .avia_search_element.av-1smfjfo-fac45ebb67a59078aa0e1df6b9251ed6 #searchsubmit{\nborder-radius:20px 20px 20px 20px;\n}\n#top .avia_search_element.av-1smfjfo-fac45ebb67a59078aa0e1df6b9251ed6 .av_searchsubmit_wrapper{\nborder-radius:20px 20px 20px 20px;\n}\n<\/style>\n<div  class='avia_search_element av-1smfjfo-fac45ebb67a59078aa0e1df6b9251ed6  avia-builder-el-1  el_after_av_slideshow_full  el_before_av_one_full  avia-builder-el-first '><search><form action='https:\/\/alternativanikkei.com\/2026\/' id='searchform_element' method='get' class='' data-element_id='av-1smfjfo-fac45ebb67a59078aa0e1df6b9251ed6' ><div class='av_searchform_wrapper'><input type='search' value='' id='s' name='s' placeholder='Buscar art\u00edculos ...' aria-label='Buscar art\u00edculos ...' class='av-input-field av-input-hasicon' required \/><span class='av-input-field-icon av-search-icon avia-svg-icon avia-font-svg_entypo-fontello' data-av_svg_icon='search' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"25\" height=\"32\" viewBox=\"0 0 25 32\" preserveAspectRatio=\"xMidYMid meet\" aria-labelledby='av-svg-title-1' aria-describedby='av-svg-desc-1' role=\"graphics-symbol\">\n<title id='av-svg-title-1'>Search<\/title>\n<desc id='av-svg-desc-1'>Search<\/desc>\n<path d=\"M24.704 24.704q0.96 1.088 0.192 1.984l-1.472 1.472q-1.152 1.024-2.176 0l-6.080-6.080q-2.368 1.344-4.992 1.344-4.096 0-7.136-3.040t-3.040-7.136 2.88-7.008 6.976-2.912 7.168 3.040 3.072 7.136q0 2.816-1.472 5.184zM3.008 13.248q0 2.816 2.176 4.992t4.992 2.176 4.832-2.016 2.016-4.896q0-2.816-2.176-4.96t-4.992-2.144-4.832 2.016-2.016 4.832z\"><\/path>\n<\/svg><\/span><div class='av_searchsubmit_wrapper '><input type='submit' value='Buscar' id='searchsubmit' class='button ' title='View results on search page' aria-label='View results on search page' \/><\/div><input type='hidden' name='numberposts' value='10' \/><input type='hidden' name='results_hide_fields' value='' \/><\/div><\/form><\/search><\/div>\n<div  class='flex_column av-pcardw-6699993756b909a8856db077157a600c av_one_full  avia-builder-el-2  el_after_avia_sc_search  avia-builder-el-last  first flex_column_div  '     ><div id='av-masonry-1' class='av-masonry av-mlwzb74m-7e071957125ec5d7904757cc9c3cf05f noHover av-fixed-size av-large-gap av-hover-overlay-active av-masonry-animation-active av-masonry-col-3 av-caption-always av-caption-style- av-masonry-entries av-orientation-portrait ' data-post_id=\"11994\"><div class=\"av-masonry-container isotope av-js-disabled\"><div class='av-masonry-entry isotope-item av-masonry-item-no-image '><\/div><a href=\"https:\/\/alternativanikkei.com\/2026\/el-gesto-sutil-y-queer-en-la-pelicula-dragnet-girl-1933-de-yasujiro-ozu\/\"  id='av-masonry-1-item-11773' data-av-masonry-item='11773' class='av-masonry-entry isotope-item post-11773 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series tag-cine tag-cultura tag-historia tag-japon tag-ozu tag-yasujiro-ozu  av-masonry-item-with-image' title=\"dragnet2\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2026\/02\/dragnet2.png);\"  title=\"dragnet2\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >El gesto sutil y queer en la pel\u00edcula Dragnet Girl (1933) de Yasujir\u014d Ozu<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><\/p>\"No soy m\u00e1s que un peque\u00f1o productor de tofu. Si se pide a\u2026<\/div><span class='av-masonry-date meta-color updated'>5 de febrero de 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Franco Parisi<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/alternativanikkei.com\/2026\/un-pais-de-ventanas-identidades-roles-y-japon-en-rental-family\/\"  id='av-masonry-1-item-11728' data-av-masonry-item='11728' class='av-masonry-entry isotope-item post-11728 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series tag-cine tag-cultura tag-cultura-japonesa tag-familia-en-renta tag-japon tag-rental-familia tag-sociedad  av-masonry-item-with-image' title=\"rental_family-516637655-large\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2026\/01\/rental_family-516637655-large.jpg);\"  title=\"rental_family-516637655-large\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Un pa\u00eds de ventanas: identidades, roles y Jap\u00f3n en Rental Family<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><\/p>Hay una escena inicial en la pelicula Rental Family (\u30ec\u30f3\u30bf\u30eb\u30d5\u30a1\u30df\u30ea\u30fc\u2026<\/div><span class='av-masonry-date meta-color updated'>27 de enero de 2026<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Victoria Nakazato<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/alternativanikkei.com\/2026\/100-metros-%e3%81%b2%e3%82%83%e3%81%8f%e3%81%88%e3%82%80%e3%80%82-late-como-la-vida-misma\/\"  id='av-masonry-1-item-11550' data-av-masonry-item='11550' class='av-masonry-entry isotope-item post-11550 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series tag-anime tag-argentina tag-atletismo tag-cine tag-japon tag-manga  av-masonry-item-with-image' title=\"c986_cap\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2025\/12\/c986_cap.jpg);\"  title=\"c986_cap\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >100 metros (\u3072\u3083\u304f\u3048\u3080\u3002) late como la vida misma.<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><\/p>Es un recordatorio de aquello que nos vuelve profundamente humanos.<br \/>\r\n<br \/>\r\nEs\u2026<\/div><span class='av-masonry-date meta-color updated'>15 de diciembre de 2025<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Victoria Nakazato<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/alternativanikkei.com\/2026\/happyend-y-el-mito-de-lo-homogeneo-como-neo-sora-reivindico-la-diversidad-de-japon\/\"  id='av-masonry-1-item-11434' data-av-masonry-item='11434' class='av-masonry-entry isotope-item post-11434 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series tag-cine tag-cultura tag-happyend tag-japon tag-mito tag-nihonjinron tag-sociedad  av-masonry-item-with-image' title=\"b7722600-61e3-4a73-aee2-6b16a90c9c3b\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2025\/11\/b7722600-61e3-4a73-aee2-6b16a90c9c3b.jpg);\"  title=\"b7722600-61e3-4a73-aee2-6b16a90c9c3b\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Happyend y el mito de lo homog\u00e9neo: c\u00f3mo Neo Sora reivindic\u00f3 la diversidad de Jap\u00f3n<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><\/p>\u00bfQu\u00e9 es aquello que conforma lo japon\u00e9s? Hay un mito estructural\u2026<\/div><span class='av-masonry-date meta-color updated'>5 de noviembre de 2025<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Victoria Nakazato<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/alternativanikkei.com\/2026\/dollhouse-muneca-maldita-llega-a-la-pantalla-grande-de-america-latina\/\"  id='av-masonry-1-item-11409' data-av-masonry-item='11409' class='av-masonry-entry isotope-item post-11409 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series tag-argentina tag-cine tag-cine-japones tag-dollhouse tag-horror tag-japon tag-muneca tag-muneco tag-terror  av-masonry-item-with-image' title=\"1AFICHE_DOLLHOUSE &#8211; MU\u00d1ECA MALDITA_1920x1080_HORIZONTAL\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2025\/11\/1AFICHE_DOLLHOUSE-MUNECA-MALDITA_1920x1080_HORIZONTAL.jpg);\"  title=\"1AFICHE_DOLLHOUSE &#8211; MU\u00d1ECA MALDITA_1920x1080_HORIZONTAL\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >\u00a1Dollhouse: Mu\u00f1eca Maldita llega a la pantalla grande de Am\u00e9rica Latina!<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><\/p>El pasado 28 de octubre se llev\u00f3 a cabo un avant premiere muy\u2026<\/div><span class='av-masonry-date meta-color updated'>1 de noviembre de 2025<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Victoria Nakazato<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/alternativanikkei.com\/2026\/poesia-y-naturaleza-en-a-scene-at-the-sea-una-conexion-entre-waka-silencio-y-mar\/\"  id='av-masonry-1-item-11258' data-av-masonry-item='11258' class='av-masonry-entry isotope-item post-11258 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series tag-a-scene-at-the-sea tag-cine tag-cultura tag-heian tag-japon tag-pelicula tag-takeshi-kitano  av-masonry-item-with-image' title=\"A scene at the sea\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2025\/10\/A-scene-at-the-sea.jpg);\"  title=\"A scene at the sea\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Poes\u00eda y naturaleza en \u00abA Scene at the Sea\u00bb: una conexi\u00f3n entre waka, silencio y mar<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><\/p>El v\u00ednculo entre la naturaleza y Jap\u00f3n es algo que asumimos\u2026<\/div><span class='av-masonry-date meta-color updated'>3 de octubre de 2025<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Victoria Nakazato<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/alternativanikkei.com\/2026\/la-identidad-y-lo-invisible-desde-el-viaje-de-chihiro-hasta-el-cine-de-mikio-naruse\/\"  id='av-masonry-1-item-11087' data-av-masonry-item='11087' class='av-masonry-entry isotope-item post-11087 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series tag-argentina tag-chihiro tag-cine tag-cultura tag-el-viaje-de-chihiro tag-japon tag-mikio-naruse tag-tv  av-masonry-item-with-image' title=\"1\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2025\/08\/1-2.jpg);\"  title=\"1\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La identidad y lo invisible: Desde El Viaje de Chihiro hasta el cine de\u00a0Mikio\u00a0Naruse.<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><\/p>Con motivo del reestreno de El Viaje de Chihiro en nuestro pa\u00eds\u2026<\/div><span class='av-masonry-date meta-color updated'>10 de agosto de 2025<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Victoria Nakazato<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/alternativanikkei.com\/2026\/la-influencia-del-kabuki-en-el-cine-de-yasujiro-ozu-un-dialogo-entre-tradicion-y-modernidad\/\"  id='av-masonry-1-item-10975' data-av-masonry-item='10975' class='av-masonry-entry isotope-item post-10975 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series tag-cine tag-cultura tag-historia tag-japon tag-kabuki tag-teatro tag-yasujiro-ozu  av-masonry-item-with-image' title=\"99jmiFmcA76AqQ1VhKlj8wIE6v7ofR7Z9Mhny3tl[1]\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2025\/07\/99jmiFmcA76AqQ1VhKlj8wIE6v7ofR7Z9Mhny3tl1.jpg);\"  title=\"99jmiFmcA76AqQ1VhKlj8wIE6v7ofR7Z9Mhny3tl[1]\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >La influencia del Kabuki en el cine de Yasujir\u014d Ozu: un di\u00e1logo entre tradici\u00f3n y modernidad<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><\/p>Para entender parte de la esencia del cine japon\u00e9s es inevitable\u2026<\/div><span class='av-masonry-date meta-color updated'>18 de julio de 2025<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Victoria Nakazato<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/alternativanikkei.com\/2026\/himiko-y-el-desasosiego-identitario-como-masahiro-shinoda-cuestiono-el-relato-de-japon\/\"  id='av-masonry-1-item-10927' data-av-masonry-item='10927' class='av-masonry-entry isotope-item post-10927 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series tag-cine tag-cultura tag-director tag-himiko tag-historia tag-japon tag-nihonjinron tag-pelicula  av-masonry-item-with-image' title=\"Imagen de WhatsApp 2025-06-12 a las 21.55.03_be8567f5\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2025\/06\/Imagen-de-WhatsApp-2025-06-12-a-las-21.55.03_be8567f5.jpg);\"  title=\"Imagen de WhatsApp 2025-06-12 a las 21.55.03_be8567f5\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Himiko y el desasosiego identitario: c\u00f3mo Masahiro Shinoda cuestion\u00f3 el relato de Jap\u00f3n<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><\/p>La cuesti\u00f3n identitaria ha sido para Jap\u00f3n, en mayor o en menor\u2026<\/div><span class='av-masonry-date meta-color updated'>13 de junio de 2025<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Victoria Nakazato<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/alternativanikkei.com\/2026\/entrevista-a-hiroshi-ishikawa-el-director-que-le-dio-voz-a-la-sutileza\/\"  id='av-masonry-1-item-10861' data-av-masonry-item='10861' class='av-masonry-entry isotope-item post-10861 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series category-entrevistas tag-cine tag-cine-japones tag-director tag-entrevista tag-japon tag-sociedad  av-masonry-item-with-image' title=\"Imagen de WhatsApp 2025-05-07 a las 12.04.53_b9f3380c\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2025\/05\/Imagen-de-WhatsApp-2025-05-07-a-las-12.04.53_b9f3380c.jpg);\"  title=\"Imagen de WhatsApp 2025-05-07 a las 12.04.53_b9f3380c\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Entrevista a Hiroshi Ishikawa, el director que le dio voz a la sutileza<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/entrevistas\/\" class=\"blog__masonry\u2013categorie\">Entrevistas  <\/span><\/p>Hiroshi Ishikawa (\u77f3\u5ddd\u5bdb) es un director de cine japon\u00e9s\u2026<\/div><span class='av-masonry-date meta-color updated'>7 de mayo de 2025<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Victoria Nakazato<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/alternativanikkei.com\/2026\/a-traves-de-la-decada-perdida-y-el-sintoismo-como-august-in-the-water-le-dio-identidad-a-la-incertidumbre\/\"  id='av-masonry-1-item-10750' data-av-masonry-item='10750' class='av-masonry-entry isotope-item post-10750 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series tag-cine tag-cultura tag-decada-90 tag-japon  av-masonry-item-with-image' title=\"Imagen de WhatsApp 2025-04-03 a las 20.36.53_f95fa6ff\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2025\/04\/Imagen-de-WhatsApp-2025-04-03-a-las-20.36.53_f95fa6ff.jpg);\"  title=\"Imagen de WhatsApp 2025-04-03 a las 20.36.53_f95fa6ff\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >A trav\u00e9s de la d\u00e9cada perdida y el sinto\u00edsmo: c\u00f3mo August in the Water le dio identidad a la incertidumbre<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><\/p>Entender la d\u00e9cada de los 90 en Jap\u00f3n es contextualizar retazos\u2026<\/div><span class='av-masonry-date meta-color updated'>5 de abril de 2025<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Victoria Nakazato<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><a href=\"https:\/\/alternativanikkei.com\/2026\/alienacion-urbanismo-y-contemplacion-el-ma-%e9%96%93-en-tokyo-sora\/\"  id='av-masonry-1-item-10670' data-av-masonry-item='10670' class='av-masonry-entry isotope-item post-10670 post type-post status-publish format-standard has-post-thumbnail hentry category-cine-y-series tag-cultura-japonesa tag-japon tag-ma tag-pelicula tag-resena  av-masonry-item-with-image' title=\"WhatsApp Image 2025-02-21 at 16.55.14\"   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='av-inner-masonry-sizer'><\/div><figure class='av-inner-masonry main_color'><div class=\"av-masonry-outerimage-container\"><div class='av-masonry-image-container' style=\"background-image: url(https:\/\/alternativanikkei.com\/2026\/wp-content\/uploads\/2025\/02\/WhatsApp-Image-2025-02-21-at-16.55.14.jpeg);\"  title=\"WhatsApp Image 2025-02-21 at 16.55.14\" ><\/div><\/div><figcaption class='av-inner-masonry-content site-background'><div class='av-inner-masonry-content-pos'><div class='av-inner-masonry-content-pos-content'><div class='avia-arrow'><\/div><h3 class='av-masonry-entry-title entry-title '  itemprop=\"headline\" >Alienaci\u00f3n, urbanismo y contemplaci\u00f3n, el Ma (\u9593) en Tokyo.Sora<\/h3><div class='av-masonry-entry-content entry-content'  itemprop=\"text\" ><p><span data-link=\"https:\/\/alternativanikkei.com\/2026\/category\/cine-y-series\/\" class=\"blog__masonry\u2013categorie\">Cine y series  <\/span><\/p>En el a\u00f1o 2002 el director Hiroshi Ishikawa dirigi\u00f3 la bell\u00edsima\u2026<\/div><span class='av-masonry-date meta-color updated'>21 de febrero de 2025<\/span><span class=\"av-masonry-text-sep text-sep-author\">\/<\/span><span class='av-masonry-author meta-color author'><span class='fn'>por Victoria Nakazato<\/span><\/span><\/div><\/div><\/figcaption><\/figure><\/a><!--end av-masonry entry--><\/div><div class='av-masonry-pagination av-masonry-pagination-pagination'><nav class='pagination'><span class='pagination-meta'>P\u00e1gina 1 de 5<\/span><span class='current'>1<\/span><a href='https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/pages\/11994\/?avia-element-paging=2' class='inactive next_page' >2<\/a><a href='https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/pages\/11994\/?avia-element-paging=3' class='inactive' >3<\/a><a href='https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/pages\/11994\/?avia-element-paging=4' class='inactive' >4<\/a><a href='https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/pages\/11994\/?avia-element-paging=5' class='inactive' >5<\/a><\/nav>\n<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":20,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11994","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/pages\/11994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/comments?post=11994"}],"version-history":[{"count":6,"href":"https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/pages\/11994\/revisions"}],"predecessor-version":[{"id":12418,"href":"https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/pages\/11994\/revisions\/12418"}],"wp:attachment":[{"href":"https:\/\/alternativanikkei.com\/2026\/wp-json\/wp\/v2\/media?parent=11994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}